What are the disadvantages of using a digital camera? Which is better digital or film photography? What are the different photography techniques? How can I make my photo unique? What makes a photo stand out? How do I make the background stand out in a picture? How do I develop my own photography style? How do I know my photography editing style?
How do I find my photography niche? What are the examples of photography? What makes a great photo? What is the most famous photograph?
Digital cameras today come with some way of transferring the photos to the computer. This usually involves some sort of cable, although some cameras are using infrared and other wireless technologies.
Direct connection may not be the best way for photographers to get photos onto the computer's hard drive, however. Many people find a card reader much more convenient. Many photographers have tried to work with image-processing programs such as Adobe Photoshop and found the whole process difficult, intimidating, and tedious. One big reason this occurs is that much of the instruction in books and classes takes the wrong approach for photographers: It dwells on the software and not the photography.
The photo "rules. When the software is "in charge," the focus is not on the image; it is on learning and memorizing all the functions of the program.
Many photographers have sat through classes that taught them about such things as selections and layers long before they had any idea why they might want to have such knowledge.
This was simply because the instructor thought these things were key elements of Photoshop. As a photographer, you know your photos and what you want them to do.
Sure you might not know everything you can do with an image in the program, but that is less important than why you took the photo. Only you can know this, and your photographic intent will guide you, even through Photoshop, on a sure-and-steady, craft-driven journey that is not obsessed with technology. Experimenting without fear is another key idea for using the digital darkroom. Often, photographers have had to pay a price for experimenting, and many have gotten cautious and brought that caution with them into the digital darkroom.
Just remember that there is little you can do to an image in the computer that can't be undone. Let yourself go, and don't be afraid to experiment.
All rights reserved. Digital cameras today offer superb image quality that competes directly with film. Types of Cameras Digital cameras come in a variety of forms, from point-and-shoot pocket cameras to advanced digital SLRs. Shoot It Right From the Start The way to get the best photos from a digital camera is to do it right from the start. Just remember that digital photography is still photography.
The Basics The most common mistake people make is camera shake. Exposure Most point-and-shoot cameras have a simple exposure override facility, normally allowing you to overexpose or underexpose your picture. Composition A very basic rule of composition is known as the rule of thirds, or the tic-tac-toe rule. Zoom Your point-and-shoot camera will probably have an autofocus zoom lens. Changing the Point of View Another thing to consider when taking your picture is your point of view.
Transferring Digital Images Digital cameras today come with some way of transferring the photos to the computer. Keys to Working in the Digital Darkroom Many photographers have tried to work with image-processing programs such as Adobe Photoshop and found the whole process difficult, intimidating, and tedious. Share Tweet Email.
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Go Further. Animals Climate change is shrinking many Amazonian birds. Follow your gut. Follow your instincts. That is usually the best stuff. Put it front and center, and develop the ideas of that work further. Try out as many alternatives to the traditional way of doing things as you can. Shoot in bad light, experiment with blurry photos , or create weird and off-kilter compositions. Make bright or dark images. Embrace imperfection and ambiguity. Not everything has to be beautiful. Shoot in a more spontaneous way and follow your gut.
Shoot during your daily life. Force yourself to go to the most mundane place you can think of, and figure out how to create an interesting photograph there. Intimate work is what makes great art. Think about ideas and subjects that you are passionate about, and explore them. Particularly if you are showing your work on the Internet, people scan so quickly, and they usually respond to what pops out at them in the most obvious way.
Nuanced, thoughtful, and intimate work might not catch their eye right away. Experiment with this type of work and forget about how people might react to it. What are you interested in? Maybe it is nature, sports, politics, identity, community, Pokemon, or a particular place nearby.
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